Movies: Jonathan Schwartz
- 1980
How to Beat the High Cost of Living (1980)
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In order to beat inflation and subsidize their alimony checks, three suburban housewives plot to steal $1 million from a large plastic ball which is displayed in a local shopping center....
- 2017
My Favorite Wedding (2017)
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Potential Northwestern fellow Tess Harper lasers through her best friend's wedding planning like the star doctor she hopes to soon become. In fact, Tess puzzles through any problem - provided it's not her own. When she meets divorce lawyer and groom'...
- 2008
Profit Motive and the Whispering Wind (2008)
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A visual essay about the progressive tradition of the United States as seen through grave markers and monuments....
- 2017
A Leaf Is the Sea Is a Theater (2017)
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When a character moves off screen, we accept the fact that he is out of sight, but he continues to exist in his own capacity at some other place in the decor which is hidden from us. There are no wings to the screen. Facts are perceptions of surfaces...
- 2005
Get Aboard! 'The Band Wagon' (2005)
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Documentary on the 1953 musical "The Band Wagon."...
- 2016
A Mystery Inside of a Fact (2016)
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It arrives, in a fog, with songs, through dance or majestic animals or faces (gliding on the street), and in shapes of light, maybe on a large bird of prey in flight - gesture skyward. Some origins can be difficult to pinpoint, others blink back - in...
- 2014
An Aging Process (2014)
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From 'A Set Of Miniatures'...
- 2014
A Kind Of Quiet (2014)
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Situated amid the in between of ascending and descending. It seems hard to land and when this happens something else might disappear....
- 2010
Happy Birthday (2010)
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Jonathan Schwartz is a young American experimental filmmaker who has crafted a body of short, lyrical 16mm films over the past decade. Working with the legacies of anthropological and observational non-fiction cinema, and in the avant-garde tradition...
- 2012
If the War Continues (2012)
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A film with a hypnotizing sense of diagonal light and movement. The title refers to the 1917 Hermann Hesse short story, part of his collection of fairy tales....
- 2011
Between Gold (2011)
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Schwartz explores the effect of light as both mystery and revelation. Glazed water in erubescent evenings discloses the shadowed details of the streets of Istanbul....
- 1969
warm spots (1969)
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From the 33 1/3 Series (an album of eleven 'in-camera' 16mm films)...
- 2013
Animals Moving to the Sound of Drums (2013)
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That fall it was not intentional to have a Galway Kinnell book on the table near where the caterpillar in the doorway, feeding on our offerings, became the butterfly, feeding on honey water, staying in our house until we let it go. Or it was not know...
- 2009
Nothing Is Over Nothing (2009)
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A poetic travelogue through the city of Jerusalem....
- 2013
Bat El Drinking Water and Other Signs (2013)
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(Maybe) of finding neutral signs in a non-neutral place while tension sits, increases, is shared, builds, or possibly lessens–or maybe is placed elsewhere for a while. Some birds move easily across, from above. You can hear them all over and the bree...
- 2017
The Crack-Up (2017)
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Schwartz’s poetic 16mm work meditates on the sights and sounds of slowly crumbling glaciers, charting an interior dance between desperation and hope. The carefully deployed superimpositions, strident soundtrack, and contrasting tones of intensity and...
- 2016
Winter Beyond Winter (2016)
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A stark winter, children at play, and an elder in motion augment words - spoken and sung - of paternal ties and loss....
- 2010
New Year Sun (2010)
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Schwartz approaches light traveling through water in all its forms. His macro lens strives to get closer to the essence, to the transparency of things, and yet, the tenebrous and doomed cry of a church’s bell, and the ascending, unstoppable pitch tha...
- 2014
A Certain Worry (2014)
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a certain worry enveloped in the covering of the ground, illuminated around a face, light on something ferocious, touch upon something gentle....
- 2007
For A Winter (2007)
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The camera remains static to capture the accelerated movements, shot frame-by-frame, of ice skaters in a sunny winter morning. They are not portrayed as living things–they don’t have the ability to speak, and they look like robots from another planet...